Mannequin Images from the VR game Mannequin, credited as Technical Art Director. Designed technical systems, asset pipeline, created tools, shaders, effects, and optimized. [Most Proud Of] - Developed a system that made developers able to easily switch between realtime lumen light and baked static light without any visual difference. [Personal Achievement] - Learning Unreals geometry script and created mesh tools with it ¬ VAMPIRE: JUSTICE Images from the VR game Vampire the Masquerade: Justice, credited as Technical Art Director. Responsible for making it run on low-end devices and enhancing the graphics for the PSVR2 and PC release. [Most Proud Of] - Applying techniques that make it run smoothly on low-end devices without downgrading the graphics. [Personal Achievement] - Learning the different VR rendering techniques and their limitations ¬ BOOK OF TRAVELS Screenshots from Book of Travels, credited as Technical Art Director. Designed technical systems, created tools, 3D art, shaders, effects, levels, and optimized. [Most Proud Of] - Creating a new perspective with depth, including tools and systems to make it playable. [Personal Achievement] - Speeding up my scripting skills by learning and using node-based scripting systems ¬ TINY ECHO Screens from Tiny Echo, credited as Technical Artist. Created shaders, effects, and optimized the game. Responsible for the art implementation chain. [Most Proud Of] - The "sprite depth order" system and managing to stay true to the concept visually SHELTER 2 Screenshots from Shelter 2, credited as Lead Artist. Designed technical systems, created tools, 3D art, shaders, composed the levels and optimized. Responsible for the art implementation chain. [Most Proud Of] - Creating an open world with seasonal changes and taking my optimization knowledge to another level. [Personal Achievement] - Speeding up my shader skills by learning and using node based shader systems ¬ PID Screenshots from the game PID, credited as Lead Artist and Lead Technical Artist. Made art, rigs, most of the effects and some animations. Responsible for the art implementation chain. [Most Proud Of] - Managing to create more than 250 models on deadline. [Personal Achievement] - Enhancing my modeling and effect skills ¬ BIONIC COMMANDO REARMED For the title Bionic Commando Rearmed, credited as 3D Artist. I modeled, rigged, textured, implemented the characters and enemies. I also created environment, props and interface. [Most Proud Of] - Characters and the hacking system. [Personal Achievement] - Improving my sculpting knowledge ¬ WANTED For the title Wanted Weapons of Fate, credited as Technical Artist. I created environment and props, most of which are dynamic and destructible. All of them I modeled, textured and scripted myself. [Most Proud Of] - Making all the destruction look and feel nice, while keeping it optimized. [Personal Achievement] - Became a full time technical artist in addition to 3D artist ¬ ADVANCED WARFIGHTER II Examples of architecture and environment I created for Ghost Recon Advanced Warfighter 2. [Most Proud Of] - My first game development experience while managing a modeling speed with quality on par with seniors. [Personal Achievement] - Learning how to script and set up destruction for PhysX ¬